Využití zlatého řezu ve filmech Wese Andersona
Show simple item record
| dc.contributor.advisor |
Štěpánek, Martin
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| dc.contributor.author |
Skokňa, Michal Adam
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| dc.date.accessioned |
2025-12-10T23:09:21Z |
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| dc.date.available |
2025-12-10T23:09:21Z |
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| dc.date.issued |
2024-11-01 |
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| dc.identifier |
Elektronický archiv Knihovny UTB |
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| dc.identifier.uri |
http://hdl.handle.net/10563/57080
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| dc.description.abstract |
Táto diplomová práca sa venuje teórii zlatého rezu, jeho histórii a aplikáciám v rôznych oblastiach umenia, ako sú maľba, fotografia, architektúra, hudba a film. Osobitná pozornosť je venovaná tvorbe Wesa Andersona, konkrétne jeho filmu Grandhotel Budapešť, kde sú analyzované scény využívajúce princípy zlatého rezu. |
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| dc.format |
75 |
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| dc.language.iso |
sk |
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| dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
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| dc.rights |
Bez omezení |
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| dc.subject |
zlatý rez
|
cs |
| dc.subject |
zlaté číslo
|
cs |
| dc.subject |
zlatý pomer
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cs |
| dc.subject |
proporcia
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cs |
| dc.subject |
vizuálna harmónia
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cs |
| dc.subject |
obrazová kompozícia
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cs |
| dc.subject |
Fibonacciho postupnosť
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cs |
| dc.subject |
Fibonacciho čísla
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cs |
| dc.subject |
symetria
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cs |
| dc.subject |
Wes Anderson
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cs |
| dc.subject |
Grandhotel Budapešť
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cs |
| dc.subject |
golden section
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en |
| dc.subject |
golden number
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en |
| dc.subject |
golden ratio
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en |
| dc.subject |
proportion
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en |
| dc.subject |
visual harmony
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en |
| dc.subject |
picture composition
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en |
| dc.subject |
Fibonacci sequence
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en |
| dc.subject |
Fibonacci numbers
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en |
| dc.subject |
symmetry
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en |
| dc.subject |
Wes Anderson
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en |
| dc.subject |
The Grand Budapest Hotel
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en |
| dc.title |
Využití zlatého řezu ve filmech Wese Andersona |
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| dc.title.alternative |
Use of the golden ratio in Wes Anderson's films |
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| dc.type |
diplomová práce |
cs |
| dc.contributor.referee |
Liebenberger, Július |
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| dc.date.accepted |
2025-06-18 |
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| dc.description.abstract-translated |
This thesis explores the theory of the golden ratio, its history and applications in various fields of art such as painting, photography, architecture, music and film. Particular attention is paid to the work of Wes Anderson, specifically his film The Grand Budapest Hotel, where scenes using the principles of the golden section are analysed. |
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| dc.description.department |
Ateliér Audiovize |
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| dc.thesis.degree-discipline |
Kamera |
cs |
| dc.thesis.degree-discipline |
Film Photography |
en |
| dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
| dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
| dc.thesis.degree-name |
MgA. |
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| dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
| dc.thesis.degree-program |
Theory and Practice of Audiovisual Arts |
en |
| dc.identifier.stag |
69168
|
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| dc.date.submitted |
2025-05-15 |
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